Ballroom - Monday May 21, 2012

 

9:00-9:15 Opening Remarks

Georg Essl, Jason Corey

 

9:15-10:30 Keynote 1: David Wessel

Composing Instruments that we can Touch

 

11:00-12:30 Paper Session I – Actuation and Visualization

 

11:00-11:25 Pencil Fields: An Expressive Low-Tech Performance Interface for Analog Synthesis

Palle Dahlstedt

 

11:25-11:45 Left and right-hand guitar playing techniques detection

Loïc Reboursière, Otso Lähdeoja, Thomas Drugman, Stéphane Dupont, Cécile Picard-Limpens, Nicolas Riche

 

11:45-12:10 Temporal Control In the EyeHarp Gaze-Controlled Musical

Interface

Zacharias Vamvakousis, Rafael Ramirez

 

12:10-12:30 Investigation of Gesture Controlled Articulatory Vocal Synthesizer using a Bio-Mechanical Mapping Layer

Johnty Wang, Nicolas d’Alessandro, Sidney Fels, Robert Pritchard

 

2:30-3:30 Paper Session II – Augmented Instruments I

 

2:30-2:50 Further Developments in the Electromagnetically Sustained Rhodes Piano

Greg Shear, Matthew Wright

 

2:50-3:10 A Qualitative Evaluation of Augmented Human-Human

Interaction in Mobile Group Improvisation

Roberto Pugliese, Koray Tahiroglu, Callum Goddard, James Nesfield

 

3:10-3:30 The EMvibe: An Electromagnetically Actuated Vibraphone

N. Cameron Britt, Jeff Snyder, Andrew McPherson

 

4:00-5:00 Paper Session III – Gesture

 

4:00-4:20 Musical Interaction with Hand Posture and Orientation: A Toolbox of Gestural Control Mechanisms

Thomas Mitchell, Sebastian Madgwick, Imogen Heap

 

4:20-4:40 Digito: A Fine-Grain Gesturally Controlled Virtual Musical Instrument

Nicholas Gillian, Joseph A. Paradiso

 

4:40-5:00 VOICON: An Interactive Gestural Microphone For Vocal Performance

Yongki Park, Hoon Heo, Kyogu Lee