Ballroom - Monday May 21, 2012
9:00-9:15 Opening Remarks
Georg Essl, Jason Corey
9:15-10:30 Keynote 1: David Wessel
Composing Instruments that we can Touch
11:00-12:30 Paper Session I – Actuation and Visualization
11:00-11:25 Pencil Fields: An Expressive Low-Tech Performance Interface for Analog Synthesis
Palle Dahlstedt
11:25-11:45 Left and right-hand guitar playing techniques detection
Loïc Reboursière, Otso Lähdeoja, Thomas Drugman, Stéphane Dupont, Cécile Picard-Limpens, Nicolas Riche
11:45-12:10 Temporal Control In the EyeHarp Gaze-Controlled Musical
Interface
Zacharias Vamvakousis, Rafael Ramirez
12:10-12:30 Investigation of Gesture Controlled Articulatory Vocal Synthesizer using a Bio-Mechanical Mapping Layer
Johnty Wang, Nicolas d’Alessandro, Sidney Fels, Robert Pritchard
2:30-3:30 Paper Session II – Augmented Instruments I
2:30-2:50 Further Developments in the Electromagnetically Sustained Rhodes Piano
Greg Shear, Matthew Wright
2:50-3:10 A Qualitative Evaluation of Augmented Human-Human
Interaction in Mobile Group Improvisation
Roberto Pugliese, Koray Tahiroglu, Callum Goddard, James Nesfield
3:10-3:30 The EMvibe: An Electromagnetically Actuated Vibraphone
N. Cameron Britt, Jeff Snyder, Andrew McPherson
4:00-5:00 Paper Session III – Gesture
4:00-4:20 Musical Interaction with Hand Posture and Orientation: A Toolbox of Gestural Control Mechanisms
Thomas Mitchell, Sebastian Madgwick, Imogen Heap
4:20-4:40 Digito: A Fine-Grain Gesturally Controlled Virtual Musical Instrument
Nicholas Gillian, Joseph A. Paradiso
4:40-5:00 VOICON: An Interactive Gestural Microphone For Vocal Performance
Yongki Park, Hoon Heo, Kyogu Lee