Ballroom - Wednesday May 23rd 2012
9:00-10:30 Paper Session VII - Augmented Instruments II
9:00-9:20 Extracting Human Expression For Interactive Composition with the Augmented Violin
Mari Kimura, Nicolas Rasamimanana, Frédéric Bevilacqua
9:20-9:45 A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface
Gabriel Vigliensoni, Marcelo M. Wanderley
9:45-10:05 SABRe: The Augmented Bass Clarinet (canceled)
Sébastien Schiesser, Jan C. Schacher
10:05-10:30 Direct and surrogate sensing for the Gyil african xylophone
Shawn Trail, Tiago Fernandes Tavares, Dan Godlovitch, George Tzanetakis
11:00-12:15 Keynote 2: David Huron
Sound in Action
2:30-3:30 Paper Session VIII - Hardware platforms & toolkits
2:30-2:50 To be inside someone else’s dream: On Music for Sleeping & Waking Minds
Gascia Ouzounian, R. Benjamin Knapp, Eric Lyon, R. Luke DuBois
2:50-3:10 The JD-1: an Implementation of a Hybrid Keyboard/Sequencer Controller for Analog Synthesizers
Jeff Snyder, Andrew McPherson
3:10-3:30 Musical Interaction Design with the CUI32Stem: Wireless Options and the GROVE system for prototyping new interfaces
Dan Overholt
4:00-5:00 Paper Session IX - Augmented Instruments III
4:00-4:20 Techniques and Circuits for Electromagnetic Instrument Actuation
Andrew McPherson
4:20-4:40 OMaxist Dialectics: Capturing, Visualizing and Expanding Improvisations
Benjamin Lévy, Georges Bloch, Gérard Assayag
4:40-5:00 An Electronic Bagpipe Chanter for Automatic Recognition of Highland Piping Ornamentation
Duncan W. H. Menzies, Andrew McPherson